In this clip, sexuality is clearly represented by the use of semionics of camera, editing, sound and mise en scene.
At the start, Miss Mord is shown to have feelings for the other female character. One use of mise en scene which demonstrates this is at the start of the scene. The female character is standing in front of a mirror whilst Miss Mord is behind her. Both of which are looking into a mirror whilst the female character holds a dress against herself.
The use of a midshot allows the audience to see Miss Mords facial expression. She gazes as the females reflection in the mirror with the expression of being slightly taken aback by the "beauty" of the female character. This may give the audience the impression that she may find the female attractive. This is further enhanced as the use of non-digetic sound allows the audience to hear Mords thoughts which are "she looked beautiful". Another scene which shows this is when Mord and the female character are on a bed.
Whilst the female character is asleep, Mord can be seen resting next to her with her hand hovering over the females body. Mord seems unsure of whether to touch the female or not, so runs her hand down the womans body without touching her. This demonstrates that Mord clearly wished to caress the female character and shows a form of boundary between the two characters as Mord feels unable to express her feelings to the female.
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